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Building on an established tradition of teaching and researching literary, visual, cultural and performance texts from all areas of the world and in many different languages, the CCL aims to foster innovative research in and on the theory, practice and history of comparative literature, world literature(s) and theatre, reception of the classics, multilingualism and translation, intercultural theatre, and creative writing.

Our values

Our ethos and outlook are perhaps best explained by our Centre鈥檚 main image. It is based on Domenico di Michelino鈥檚 famous  of Dante holding the Commedia, with Paradise above him, Purgatory behind, Hell to one side and Florence to the other.

While Mount Purgatory is replaced by Bruegel the Elder鈥檚 sixteenth-century , Dante 鈥� declared by Ruskin to be 鈥渢he central man of all the universe鈥� 鈥� is displaced, at the centre of the image, by the Guadeloupian writer Maryse Cond茅, whom we thank warmly for providing us with her photograph and authorization to edit it.

The ancient African seat of learning of Timbuktu (which figures in Maryse Conde鈥檚 novel S茅gou) takes the place of Florence; the devil from Michelino鈥檚 painting is now burning books, evoking not only the recent burning of some of Timbuktu鈥檚 precious manuscripts, but also the many historical attempts to destroy culture and erase memory.

The arid landscape of Michelino or the cultivated fields of Bruegel give way to the Bengali mangroves of the Sundarbans (echoing Maryse Cond茅鈥檚 Crossing the Mangroves), a recurrent literary setting (they appear for example in Salman Rushdie鈥檚 Midnight鈥檚 Children and Amitav Ghosh鈥檚 The Hungry Tide), and a delicate ecosystem threatened by climate change and encroaching human action.

The recognition and displacing of canons; concern with gender, race, religious and spiritual symbolism; radicalisation, material acquisition, environmental crisis, multilingualism and the necessity of translation are, as our image shows, some of the main concerns that animate us as we seek to provide a research and teaching environment devoted to the study of literary, artistic, critical and cultural phenomena that traverse, challenge, or work programmatically across national, ethnocentric, and monolingual canons and practices.

Our collaborations and events

We work together with other Centres at 牛牛资源 鈥� not least, the Caribbean and Diaspora Studies Centre; the Decadence Research Centre; the Centre for Philosophy and Critical Thought; the Writers鈥� Centre 鈥� as well as with theatres (including our partnership with the Gate Theatre), cultural centres, publishers, translators, professional associations and academic networks in the UK and abroad. Our Research and Collaborations page lists some of these, along with our main projects.

The CCL participates in and supports 牛牛资源鈥� Learn a Language programme.

Details of our Annual Lecture series, seminars, workshops and conferences appear in the Events page.

Students and visitors

Our MA and MPhil/PhD programmes in literary studies, comparative literature, world theatre, and more can be found in the 牛牛资源 With Us page of the Department of English & Creative Writing and the Programmes page of Theatre and Performance.

We warmly welcome applications to our master鈥檚 and research degrees from suitably qualified graduates.

We equally welcome applications from research students who wish to spend a shorter period of study at the CCL, and from visiting academics who wish to be located at the Centre for between a term and a year under our Academic Visitor Scheme.