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This programme enables you to develop the business/entrepreneurial skills and attributes to commercialise on your creative and cultural practices and/or knowledge.

Comprehensive pension reform to tackle the deep-seated inequalities in pension provision should remain an urgent priority, a ţţ×ÊÔ´ academic said today.

Beswick, Katie. 2024. Sonnets from the scrap-heap: Pollution, politics and London’s Ultra Low Emission Zone. The Sociological Review Magazine, ISSN 2754-1371. Staging Grenfell: The Ethics of Representing Housing Crises in London Beswick, Katie.

Vikram’s research focuses on consumer identity projects and coping, stigmatized and vulnerable subpopulations, art therapy, and religion and consumption.

Jonathan has over 25 years’ experience as a Senior Arts manager working internationally across the wider playwriting landscape, dramaturgy, arts strategy, cultural policy, professional development, network creation and development, partnership management, intercultural competence, and disability aesthetics.

Oonagh’s research has explored best practice on the scalability of emerging technologies for cultural organisations.

John Newbigin is co-founder and first Chair of Creative England (from 2011 to 2018), a public/private partnership that invests in creative content businesses and digital technology.

Nicola specialises in economics of intellectual property, with a focus on the creative industries and trade secrets.

James examines areas of cultural theory, science fiction, post-humanism, ecology and theories of fiction.

Uy-Tioco, Cecilia S. and Cabañes, Jason Vincent. 2026. Glocal intimacies as non-West and global South theory-building for mobile media and communication. Mobile Media & Communication, ISSN 2050-1579. Ambivalent visibilities: Social media bullying