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A speculative theory for mapping the colonial afterlives of extractive industries across southern Africa.

Planetary Portals focuses on the colonial afterlives of extraction in southern Africa and its colonisation of the future. Through a critical engagement with imperial archives鈥攕pecifically the archival records of British imperialist Cecil Rhodes during the Kimberley diamond rush (1871), South African gold rushes (1873鈥�1886), and the 鈥淎frican expansion鈥� of imperialism鈥攖he book maps new cartographies of passage into alternate futures. Guided by an ethics of repair and restitution of silenced histories, Planetary Portals investigates how dreams of Empire are sustained through geographic imaginaries of Africa-as-mine, Africa-as-continent, Africa-as-resource exemplified in today鈥檚 market of rare earth elements (REEs) and their transformation into data infrastructures of techno-utopian futures. Understanding colonialism as an ongoing planetary condition that produces unequal material states requires a counter poetic that inspires new spatial imaginaries. Planetary Portals develops the 鈥減ortal鈥� as a speculative, archival and creative method for mapping spatial and temporal patterns of coloniality and transforming these into alternative planetary futures in what we call 鈥渟peculative nonfiction.鈥� From imperial state-making to diamond mining and from settler colonial farms to labour compounds, the erased histories and silenced voices of the archive call for geographical imaginaries that refrain from reproducing the violences and horrors of colonialism, and instead foreground the tacit resistances to the maintenance of politico-administrative infrastructures. Planetary Portals develops a new theory and method for apprehending the environmental harms and lived traumas of the colonial present, while also reimagining how we might inhabit the long shadow of continuous colonial extraction and exploitation otherwise.

Planetary Portals Collective

The Planetary Portals Collective is a creative research group formed by Casper Laing Ebbensgaard, Kerry Holden, Michael Salu, and Kathryn Yusoff. They use imperial archives to create critical cartographies of the colonial praxis of 鈥渆mergence and extraction鈥� and their work enacts a speculative reworking of the trade and trauma produced by geoengineering a colonial continent. Paying attention to the resident ghosts of the colonial archive, they seek to work with the alterable possibility of life against the calculative geometrics of diamond power and capital, against acts of British colonial imagination violently mapped over occupied ancestral lands.