Event overview
Diagrammatics Masterclass with Sybille Kr盲mer
Places are limited, registration is free, but essential. Please contact: p.crespi@gold.ac.uk.
A diagram is commonly defined as 鈥渁 simplified drawing showing the appearance, structure, or workings of something鈥� (OED). Moreover, diagrams have been argued to be 鈥渕edia that provide a point of linkage between thinking and intuiting, between the 鈥榥oetic鈥� and the 鈥榓esthetic鈥欌�� (Kr盲mer, 2010) for their being 鈥榠n-between鈥� image and text, saying and showing. This capacity to act as mediators renders diagrams particularly apt to be discussed in the context of research methodologies for the Humanities and Social Sciences. Arguably, in fact, there is a need for methodologies capable of attending to the social and cultural world as mobile and open-ended, tactile and affective, and that account for performativity within the method. In addressing these aspects of methodological research, this series aims to propose diagramming as a visual, haptic and kinaesthetic methodology.
Abstract:
We live in a three-dimensional world, but we are surrounded by surfaces that are covered with images and writing. From cave paintings to skin tattoos to graffiti, from painted pictures to written notations, from diagrams, technical drawings, and maps to film, television, computer screens, tablets, and smartphones, our everyday practices are permeated with surfaces that represent something.
What does it mean for our thought and cognition that nearly everything related to the acquisition, justification, and representation of knowledge is organized in the medium of pictorial and written surfaces? Just as the invention of the wheel facilitated mobility and creativity in the world of the body, the invention of artificial flatness facilitated mobility and creativity in the world of the mind. The talk reflects on 鈥榝lattening as a cultural technique鈥� and develops a 鈥榞rammatics of diagrammatics鈥�.
Bio:
Professor Sybille Kr盲mer is Professor of Philosophy, Freie Universit盲t Berlin; 2000-2006 Member of the 鈥榃issenschaftsrat鈥� (German Scientific Council); 2005-2008 permanent fellow Wissenschaftskolleg zu Berlin; 2007-2014 Member of the Panel of the European Research Council, Br眉ssel; 2008-2013 Chair of the Doctoral School: Notational Iconicity; 2008 鈥� 2012 Member of the Cluster of Excellence 鈥楾OPOI. Space and Knowledge in Antiquity; since 2009 鈥� 2016 Member of the Senat of the DFG. Visiting professor: Technical University Vienna, Austria; Max Reinhard Seminar Vienna Austria; University of Graz, Austria; Luzern University, Swiss, Z眉rich University Swiss; Tokyo University, Japan.
Latest publications.: Medium, Messenger, Transmission. An Approach to Media Philosophy, Amsterdam: UP 2015 (germ. 2008, jap. 2014); ed. with Chr. Ljungberg: Thinking with diagrams, Boston/Berlin: de Gruyter 2016; ed. with Sigrid Weigel: Testimony/Bearing Witness. Epistemology, Ethics, History and Culture, London: Rowman & Littlefield 2017.
Dates & times
| Date | Time | Add to calendar |
|---|---|---|
| 16 May 2018 |
6:00pm - 8:00pm Booking essential |
Accessibility
If you are attending an event and need the College to help with any mobility requirements you may have, please contact the event organiser in advance to ensure we can accommodate your needs.
